![]() ![]() Its success in the multiplex is represented by mainstream fare such as “Heaven is for Real” and “Miracles from Heaven,” yet it was jump-started by rough-hewn, cheaply made, independent releases such as “Fireproof,” and turned into a head-turning business concern by the box-office fire of “God’s Not Dead” and “War Room.”īeyond the differences in production values and competency in execution, the two product streams represent a crucial contrast in tone. The American Christian filmmaking industry currently runs on parallel tracks.
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